1) Find the appropriate overall EQ and volume for the space while listening to the room and the lead vocal
– Listen thoroughly to the environment you will be mixing in and comprehend the ambience created naturally by its construction and shape.
– Stay attentive to any frequencies and nodes that stand out and might prove to be problematic for maintaining your lead vocal at the level you desire it to be.
– The lead vocal is the most important channel in your mix — make absolutely certain it is not going to start ringing uncontrollably during the live show.
– Follow the standard room equalization protocols utilizing a frequency analyzer and level the room to your liking.
Then listen to songs you are very familiar with to make certain they sound like they are supposed to through the system.
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2) Get your microphone and DI selection down
Select the microphone or DI that best suits the source you are going to capture and amplify. Such microphones are:
– Shure SM7B
– Beyerdynamic M201
– Sennheiser MD421’s
– Royers
The latter is recommended, because regional sound companies in random parts of the world probably will not have them.
3) Understand the gain structure across the whole system
Meters are very helpful for controlling your levels. it may be used as added confirmation of what engineer is hearing. But your meters are there to let you know what your signal is doing at that particular point in the system, whether it be the channel meters, amplifier meters or bus meters. Essential thing to know is that from the source to the microphone, to the preamp, to the channel strip through any EQ and dynamics processing, through your bus routing and matrixing, and finally to the amps and speakers, be sure that you are not exceeding what each of those stages is able of handling.
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4) Mixing monitors is a crucial part of the show
As you are very close to the stage, the band and artist are looking to you to make it right for them so that they can calmly perform. As a monitor mixer, you may frequently think that what you are being asked to provide for a particular performer is totally crazy, but keep in mind that monitor mixing is mainly triage.
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5) Know your gear, including your compressors and EQs
Everything you need to make a show sound good is absolutely available, despite the fact that audio gear is in a constant state of development. At nearly every budget level It is all built into the current digital consoles. You just have to know what each aspect of your gear is capable of doing and why. It is always better to use a lot of compression to get the sound you are looking for out of a particular source, all the way up to your main bus. Understanding compression is a science itself. Understanding the different types of compressors and how they behave is also crucial; learn why each different type is chosen for certain applications and not used for others. Optical, FET, VCA, MU (tube), Diode Bridge, etc. are compressor types which, at the end of the day, achieve gain reduction, but they each do it differently and often impart a specific tone to the sound signal. There are many kinds of EQs which, each do the same thing but in very different ways, accomplishing varied results.
If you wonder what filter types are used in certain EQs to boost and cut ranges of the audible spectrum, these filter types are:
– Parametric
– Graphic
– Shelving
– Proportional (API)
– High-pass and low-pass filtering
Moreover, there are even various categories of EQs such as, euphonic and surgical equalizers that employ those kinds of filters at varying degrees. It is essential to comprehend where and when you would want to utilize these options.
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